Missing Roommate

Empty rooms. Empty silence.
Permeates. Screams the obvious.
Phones, MP3s strewn on the floor.
No click, no tap, no snore.

Stale smoke clings to nostrils.
Not a home, a nomads hostel
Cheap curtains hang listless, the world outside.
Missing roommate, missing drive

Mouldy kitchen, bins are strewn
In the bed, a damaged spoon
A knife cut it
It should have kissed it.

Balor O'Brien

Rigged

25/6/2016

The game is rigged.
The Masters? Masters of shit.
Followed by gaping orifices and white pearl carriers alike.
Following into a bottomless pit.
Hope, love, friendship, courage
Words tossed flippantly, deployed.
Shredding,  torn to ribbons to slow the descent
Once they are exhausted the bearer releases.
No longer falling, they are floated by despair, acceptance and nothing.

The game is rigged
Renamed, redefined, shrouded
In convoluted, witless explanation
The ground melts, floundering, clueless, ignorant
Fruitless efforts to fight the tide, but there is no tide.
Just wave upon wave of emotion
Exiting, disappearing, numbing

The game is rigged
A distraction, an illusion
Music, noise pollution, drowns the senses
Film, manufactured feeling for ignorance, suppression
Sport, exhaustive and taxing. Drained.
Artificial connections, emotions
Emoticons, empty words and chats. Warm smiles.
A crutch to limp this zombieland.

The walking dead
Lead a life of choice?
The dice are fixed
Finding certainty in the understanding of narrow minds
There only exists a life, ordinary, compromised, unfulfilled.
The only joke that ever made me laugh.
We try to live
Not knowing we are already dead.

Balor O'Brien

Bad Blood

Utterances, escape their owners
Attack ears, sting like hornets.
Horny, disgusted, love or hate
Confused, a medley of emotion.
Eyes dry of tears, mouth parched of spit.
All that is left
Is for you to bleed.
Bad blood. No one wants it
You bleed anyway.

Balor O'Brien

Blank

Buzz...buzz...buzz...
Ringing in my ears
A ringing in yours
Graveyard littered with your peers.
What happened? One ponders
Whose that lying yonder?
Lying next to your victim
You are their game too
Kissed them, licked them, fit them.
Waking up drenched in each other's spew
Strangers faced with intimate moments
Buzz...Buzz...Buzz...
Escape through Facebook or Pokemon Go
Breaks your heart to think, don't it?
Same excuse each week, mind moving slow.
No sound, no reason beats the drum in my head
Living this way, might as well be dead.

Balor O'Brien

Notorious!

First off, apologies to the USA
This aint bout Biggie Smalls or Big Daddy Kane
The title for sure has some of you misled
It lists a Celtic warrior, born and bred
His rise will be known for decades to come
Whoever he fights, they come undone
A fighting man, the stuff of legend
Well fought Diaz, but you still place second
To a Celtic Tiger, he boasts his own skill
Lifting UFC, moving in for the kill
Centre stage, the lens has him in focus
Starving your fighters, like a swarm of locusts
Of fame, but his name pays them well
It's his brand and image Danny sells
A harder man than Mr Burgess (ref. The Snapper)
Any weight, any date, he'll be victorious
You know his name, screaming Notorious!

Balor O'Brien

Narcissist?

Pull me left, now pull me right

When am I to leave your sight?

I can't, tensed, ready for flight

How is your bark  worse than your bite?

Words to strip a man apart

The worst pain never leaves a mark

Teeth, nails, fists and feet

Can't compare with when you speak

How can it come from one so loved

It's my fault, the one that pushed and shoved

Made you slip inside yourself

Can't take back the way I made you felt

Everything since makes it worse and worse

You love to see me mad and curse

Don't see the hurt that you cause

No let up, no white flag, no pause

Getting tired of the same guilt-facts

Sick of going round this empty track

Watch someone squirm, it boosts your ego

Keep them down, make sure they feel low

People do get tired of this shit

It's no one's job to help you piss.

You can dress up, try looking healthy and fit

But the poison is oozing, we all see it drip

Forming a pool of puss at your feet

The place you demanded I take my seat

Good luck, goodbye, my time is done

Free of the cold, we'll all enjoy sun

There are other things in life to focus on

Bonding with family, let them know they belong

Actions can be cruel and full of vindiction 

Needless wars waged with gusto, conviction

Put it to bed, put it to rest
Think outside yourself, look at what's best

Saying one thing meaning another

First raging, then speaking, now beginning to blubber

Forgetting up from down when it suits

Thinking your clever, having everyone duped

Owning your toy, pulling it's strings

Teaching the songs you want it to sing

Half-forgotten, that kindness, that smile

Personality stored as a memory file

To pull the one to fit for each situation

Can't you see the other living in frustration?

Don't answer his questions. He doesn't want to know

Feelings and emotions will you leave them alone?

Pull me left now pull me right

Running me around till I have a stitch

Obvious, the reason you always look to fight

Narcissist? Naw, she just a crazy bitch!

Balor O'Brien

Clu

Lad, I'm too late to set this up for ya now. But check it! fresh on its way in a few hours!

Forget the Past

Sitting in the kitchen, perched on a chair
Same situation, in someone else's lair
Such a bad habit, comparing old with the new
Living in paradise, how the time flew
In a boardroom, set for interview
Nervous tapping, my glasses askew
Wondering how long will this last?
New place, new start, forget the past.

Keeping old calendars. Rain in reverse.
Storing past diaries. Memories to nurse.
Happy smiley pictures, that curse and curse
Wishing I could say this is only the first
Endless repeating, it is shredding my soul
Why does Santa only leave me coal?
No more reminising. Start being in the shoal.
Looking to the future is my only goal.

The pain, it blinds, it burns, it cuts too deep.
A lamb being skinned for it's fleece!
Of course no one will ever ask
For them the past remains the past.
They're moving on, driving forward.
The future has no time to look backward.

Losing all my loved ones, it burns inside
With so many enemies, it's time to hide
The present or the future, which I can't decide
Imagination, freedom, or falling in line?
When does reality return to the world?
To survive this fiction, in our shells we are curled
Terrifying visions, what may come to pass
Autocratic powers, trapped in the shadows they cast

In a field of dreams, we run from terror
A shifting guise. Can we see it? Never
Forget what's old, bring in the new
Us people today, we haven't a clue
Chasing Amy or chasing toads
Looking for the same thing in different modes
What has been we can't recall
Into the future we clambour and fall
History has us blind with pain
Only I seem to feel the rain
In this piece notice, I hate refrain
Is it clear? No? Let me explain
In a raging storm, tied to a mast
On the seas of time, now forget your past

Befuddled? Yes? Confused? Of Course!
It's time you read my rhymes in reverse

Balor O'Brien

Sao Paulo: Same Identity As.... Rio

One night in a bar in Sao Paulo, a man was sitting drinking by the bar when two women entered the bar. They were in their 20s. One of them is beautiful with ebony skin, dark smouldering eyes and sleek dark hair falling over her left shoulder. She wore a beautiful green dress which accentuated her mesmerizing figure. The other girl wore a less shaped black dress and bracelets on both wrists. She was more pale and had less lustre in her hair. She carried a little weight and attracted less attention from the men at the bar.

They went upstairs into the restaurant first. Later that night they returned to the bar and ordered drinks. After some time they were joined by a young man. They spent a number of hours drinking and engrossed in conversation together.

Eventually, the larger woman and the man left the bar together. The barman caught sight of the attractive woman left alone at the bar. He approached her to ask had she a lift on the way for her or if she would like another drink.

The woman thanked him warmly: "Oh no I'm fine thank you! He's coming back for me. He is my man."

The way the woman spoke caused the observer at the bar to pause for a moment. He found it fascinating that she felt the need to claim ownership for her man to a stranger over her friend. She didn't mean anything by it but underlying there was an obvious insecurity. She had to clarify that it was she with the man.

Now for context the man wasn't exceedingly attractive. He seemed good-natured and funny. He was slightly over-weight and balding. His clothes were jeans, and Hillfigure t-shirt.
the observer found it very informative to see how even the most attractive women are, even unbeknownst to themselves, possessive. This woman needed to confirm it was SHE with the boyfriend and that he was NOT her friend's partner.
Perhaps the observor was looking too deeply into things. But that was him.

Sure enough the man returned for his girlfriend. Saluting the barman, they thanked him and left.
Unnoticed the observer finished his drink and silently followed them out into the carpark...

... Amanda was relieved when her boyfriend returned. She was a little anxious to get home early. She had a long day to prepare for in work the following day. She slipped her arm around Lucas as they exited the bar together. He was warm and she loved the softness of his green jumper. As they neared the car she heard someone behind them. Half-turning to glance at them she didn't have time to flinch before the wrench connected with the side of her head....

The silent observer in the bar had followed the couple outside. He was not from Brazil. Without a word he closed the distance between himself and his targets in the carpark. Nearing them he allowed the wrench to slide silently from inside the sleeve of his coat. Gripping it firmly he spoke.
"Fuckin bastards!" he uttered, unable to form a more well-constructed statement.

Without waiting for a reaction he brought the wrench around, swinging it in an arc across the girl's head. She turned in time to receive the blow to her face. The impact sent her spinning around and landing on the ground. Blood was gushing from her face. In shock, she was not capable of reacting to the savage and unexpected assault.

Lucas looked in horror as she fell. Before he had time to respond he himself felt something solid collide with his skull. All thought exited his mind as he felt his body driven down from the blow. the energy left his body. Relentlessly the attacker continued to strike his head and shoulders. Without the opportunity to recover, Lucas' body relented and sank to the ground, receiving the blows without the ability to protest...

The observer lost his self-control in that moment. From the first blow he felt the exhilaration of exacting his will upon the unsuspecting couple. Unable to stop, he beat the man with a savage fury he had never released prior. The onslaught did not cease until the cowering body  was reduced to a bloody corpse. Then he turned his attention to the woman...

Still sprawled out from the blow she received, she felt the attacker hoist her into the air.
"Do you know what you are?" he asked. She mumbled a response.
"No", he laughed. "You are not innocent. You have been looking for this kind of justice all your life. Now you will endure the punishment befitting your crimes."
His voice was soft and even, a little deep. She was unable to focus on his features. She could feel her body being hoisted high into the air by a pair of strong arms. She was still aware when the arms launched her body into the air.

It felt as though she were suspended for an eternity in the air. But she eventually felt the inevitable fall. Her body crashed violently off the tarmac. She felt the blood split out of rips in her skin along her face, knees and sides. The breath was driven from her body. Crippled, she struggled to crawl away.

"You don't get to escape your actions," sang the voice. She felt a hand tighten around her throat, extinguishing her air supply. She gave a futile and feeble struggle which seemed to amuse the attacker further.

"You are my first", he whispered in her ear. "You are lucky. The rest will suffer a more severe punishment".
The hand released her to the ground. Gasping, she faded into unconsciousness.

The Old Stand

West of Dublin, East of Clare
In a woodland in Limerick you will find there
Beneath a hill a place like no other
Once famous for its cream and butter
Now known for it's namesake song
Where you'll always feel that you belong

Shanagolden forgotten, and left behind
Says Tarbert and Glin, Limerick and Foynes
How can they ignore the capital town?
The people of Foynes and Robertstown
Just wait, they'll see we're bouncing back?
The Old Stand for alcoil, bia, ceoil agus craic

Off the main road, north of Tralee
Limerick go south, don't mind old Kilkee
In 'Golden you'll hear of An Cailin Ban
Stories to share from dusk till dawn.
Act the clown it'll be thrown back in your face
Gangsters down here you won't find anyplace

Seasons can come, seasons can go
At The Old Stand, the drink always flows
You can be filled with vices and sin
But mind the table, don't spill the gin
Few amoung us have gone international
Bringing you here is far more rational

Remember the sweetness of Shanagolden
Such memories in your heart, indelibly woven
And when you wind up in our land
You'll find what you need in The Old Stand

Balor O'Brien

The Pull

(Chorus) I remember we were flying high
Then everything, it fell awry
In a spiral and asking why?
You are the green in my eyes.

You are meant as my Tanagra
á mé i gceist a bheith do ghrá.
This is what we both have dreamed
Now we're torn down the seam

Remember all those nights apart?
Felt the knife inside my heart
Taking years to find another
To hold you close, and stop your shudder

In the night you were far away
A perfect vision, where you lay
I knew then, I had it found
The soul to which, mine is bound

We can save it, I know we can
Go any distance, league or a span
Remember I said your my star in the sky?
Eve, your always, the apple of my eye!

Balor O'Brien

Celtic Tiger / Drunk Irish

This is a true story.

In 2011 I was with my girlfriend at the time and it was St. Patrick's Day. We were living in Galway and running late to the parade in the town centre. On the way in we came across a man on the road. He introduced himself as Martin, if my memory serves. The man asked me if I would be able to buy him alcohol. The man in question didn't have arms.

Naturally I said I would of course. He asked me to take the money out of his pocket and told me what he wanted. Having bought the drink I returned to him. "I'll take that here," he said, indicating that he would carry the bag in his stump. The stump was at his shoulder. I insisted we would walk him home with the drink.

We made polite conversation as we walked him home. Once we arrived at his house we helped him inside and settled him in his kitchen. The man was in his 50s, thin and grey hair cut short. On the table in the kitchen he had a row of cigarettes with the filter hanging over the lip of the table. He could pick them up in his mouth and used a lit candle to light them. We sat for a time speaking with him and he volunteered the story of how he lost his arms.

He said the circus came to Galway years earlier and he had been hired as an extra pair of hands. He was in the lions' cage when they attacked him and ripped his arms from his body.

We couldn't believe this story! It wasn't something we expected to hear in Galway that someone was savaged by lions and left dismembered. I always  remembered the man, although I only ever saw him again in the distance in the town.
It wasn't until years later that I heard the true story of what happened to him.

I was working in Galway in early 2016 and the story came up in conversation. The person I was speaking with had grown up near Martin and told me that wasn't exactly what happened.
Martin used to train dogs. He was at the circus but as a customer, not an employee. He had been drinking heavily that day. During the course of the night, Martin decided to go down to the lion cage.
In his inebriated state he elected to attempt to steal the meat from the lions' bowl to feed his dogs later. He reached in with one arm and was attacked by the lion. It tore the arm from his body.

In a state of shock from the loss of a limb, Martin attempted to retrieve his arm from the lion. He put his other arm inside the cage, struggling to rescue his extremity. Unfortunately the lion proceeded to dismember the additional arm within it's reach.

An extraordinary circumstance that you would never expect happening in Ireland. A drunk man tried to steal a lion's dinner for his dogs, lost his arm and lost the second trying to save the first.

In Galway you never know what can happen, or who you can meet.

Balor O'Brien

Pantser

The pen drags slowly across the page. A firm hand guilds it, forming carefully selected phrases. The hand has long thin fingers but a muscled, large palm. The hand belongs to a figure hunched over the page. Eyes downcast, the skin is blackened beneath them. Eyes never leaving the page, ignorant to his surroundings, the figure is immersed in the task ahead.

    The man is in his 30s, hair speckled with grey through the dark mane. His wide shoulders are hunched out of habit. His nose is large, crooked from twice being broken. His clothes are a large baggy, woolen, black fleece and orange chords for pants.

The man is perched on a stool. Ignoring the pain in his lower back he continues his writing.

He is an admitted pantser. The word pantser refers to one who writes without having planned the story. The writer has embarked on the same journey as the reader, with a torch illuminating the path in front of him. He has no map or guild to where the path will lead, or even what he will encounter along the way.

   Unlike most "pantsers" he does no planning at all. Most would opt to have broad outlines done for the direction of the story and fill in further detail as they progress. This man seated has always found the best solution in sitting without distraction before the page. He must be in silence, no phone, laptop or other instrument of procrastination.

Even the action of physically writing onto a page has a soothing affect on the soul. It helps to separate the writer from the material, to review, adjust and appraise his material. Typing has uses but for artistic endeavors he always found more gratification in having his work in his own hand before setting it in print. Once it was typed it always felt as though it was permanent. Nothing could retract it. There is a feeling that nothing can be secured on the internet. This feeling hangs over him, it weighs on him.

Life as a pantser has worked well for him. He has written many stories in different genres, different styles to success in most cases. He gets inspiration from seeing people's particular situations or from his own experiences. He found running with short ideas could produce the most effective and engaging work. Building on strong foundations with flexibility to find some new and exciting he could create.

But this latest story was troubling him. He had written it months ago. It had been received well and there was talk of a mini-series being commissioned. Despite all this he continually went back to the story to add to it. The published work had ended at 367 pages in length. But he wasn't sure if the story was finished. In private he had continued working on it. Every day he wrote the end, but every day he found it incomplete. An endless cycle of writing endings which served only to extend the material, without offering a satisfactory conclusion.

This difficulty plagues the man's mind. He can get no rest or respite while it eats away at his mind. Nothing can give him peace. It haunts him. There can be no closure. When will the tale end?

Had it ended already and he had unknowingly entered a new story? Or was it far from complete? Does it require his attention to complete?

Lifting his hands to run through his thinning hair, the figure expelled a sigh of frustration. Not knowing if he has finished he holds the pen above the page, poised over the words "The End".

He cannot decide. Is there a full stop?

Insurance companies are killing us!

"Ah shur that would be doing something the right way. Have you ever seen them do anything the right way."

A beautiful expression I heard in the end of July 2016. It struck a chord with me. Do we realise the power that lies in this statement? It is an admission of our acceptance of failure.
One phrase to capture the essence of failure. The failure of our institutions. Structures built to serve society.

 Let us put it simply. There is a right and wrong way to do things. Okay fair enough, life can be more complicated than that. But isn't it also true that when people do wrong they are so busy saying how its complicated that the problem remains on the floor while we play the blame game. So can we please focus on just asking ourselves: "Have I done the right thing?"

This isn't going to be a long post. It is about you! Why are we allowing and accepting failure? It isn't just a regular occurrence. We have built a system of pre-accepted failure. We can only celebrate the brave when they have died. But all of this can serve for later posts. Today the focus is the expression of our wrongs in the area of insurance.

The recent example I have of this is motor insurance. Now I'm sure everyone has a grievance in this.
Last week I heard some men in a bar discussing how it has increased outrageously in the past year. Let us be realistic, this is critical. They spoke of a woman on the radio stating she had been quoted five thousand for her car insurance. I didn't believe a word. I thought she must have a new, expensive vehicle to warrant such a ridiculous sum.

Later the same week wasn't I eating my words as I scrambled to sort my own insurance. The first company I called went through all my circumstances Blah blah. What was I quoted? 5,051.67!!
To give context my car is 8 years old, not modified, I have no convictions, no claims, and it is a Ford Focus, petrol.

Needless to say I was lost for words on the phone. A deep panic set upon me. I was terrified that I would be crushed for insurance, which, by the way is already set at absurd heights.
Now they say "Oh we have costs and pay outs to all these false claims."
:et me say something for them! We know there are these cases, you have factored this already into your business. Every single driver on the roads pays every year a HUGE amount of money for something that (thankfully) a minority needs. They want us to focus our anger on the scammers (and we should). But why is it that when they x3 insurance and make EVERYONE pay more we are expected to sit, doe-eyed and passive as they laugh, extorting us.

Think of you own a car, if you need it for work, need it for your kids, need it to visit family then I have something to tell you. They own you! When you mumble about it into a glass, pay the quote and leave it at that, you are letting them walk all over you. You are setting a precedent which they are already getting ready to exploit. Next year they will do you for more. They will do your family and friends for more.

Before you go would you do one thing for me? Share this post, like it, +1 it or something else to show you object to extortionate insurance.

Balor O'Brien (angry customer)

Unconditional...

This piece was written in June 2016. Hopefully it captures something you have felt
Enjoy

Mine is yours, forever

Possessions, emotions, thoughts. Unconditional.

Life without, life after? Never.

Heart, mind, love are yours, unconditional.

Stumbling blind through grape induced fog.

Colliding with unforeseen obstacles, senseless

What's the solution? Does it lie in a snog?

A demo of fear and panic. Immature, I confess.

Occasional, glimmers of insight, understanding

They build a boy, a man - where nothing stood before.

Something new, brief, it will never be again. Standing

Before the partner, he loves to his very core.

Fine words count little these days

Mine I give freely. Unwilling and unable

To hide my breadcrumbs, for selfish use in this maze.

If I exist it is as a fable.

Useless, clueless, he cannot change the past

Or repair what the moron damaged. Trust. 

Without his paramore, his love, first and last.

His, he is hers, forever, in this she can trust.

Mine is yours forever

One word omitted in each language, each tongue. Never

Everything I am, I own, yours unconditional.

Waiting, for my love. I am your unconditional.

Balor O'Brien